Memphis Bleek) Jay-Z 02:56. 2 (feat. ) Jay-Z 03:58. 3 (feat. Da Ranjahz, Ranjahz) Jay-Z 04:55.
4 (feat. ) Jay-Z 04:48. 5 (feat. Big Jaz) Jay-Z 03:53. 6 (feat. DMX) Jay-Z 04:46. 7 (feat.
Too $hort) Jay-Z 05:00. 8 (feat. Memphis Bleek) Jay-Z 04:21. 9 (feat. Amil, Ja Rule) Jay-Z 05:09. 10 (feat. Foxy Brown) Jay-Z 04:34.
11 (feat. The LOX, Sauce Money, Beanie Sigel) Jay-Z 05:19. 12 (feat. Kid Capri) Jay-Z 03:45. 13 (feat.
Memphis Bleek) Jay-Z 04:01. 14 (feat. Jermaine Dupri) Jay-Z 04:13.
Intro – Hand It Down 02. Hard Knock Life (Ghetto Anthem) 03. If I Should Die (feat.
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Da Ranjahz) 04. Ride Or Die 05.
Nigga What, Nigga Who (Originator 99) (feat. Amil & Big Jaz) 06.
Money, Cash, Hoes (feat. A Week Ago (feat. Too $hort) 08. Coming Of Age (Da Sequel) (feat. Memphis Bleek) 09. Can I Get A(feat. Amil & Ja Rule) 10.
Paper Chase (feat. Foxy Brown) 11. Reservoir Dogs (feat.
The Lox, Beanie Sigel & Sauce Money) 12. It’s Like That (feat. Kid Capri) 13. It’s Alright (feat. Memphis Bleek) 14.
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. ' Released: December 14, 1999. ' ' Released: February 15, 2000. ' Released: February 15, 2000.
' Released: April 11, 2000. ' Released: September 12, 2000 Vol. 3 Life and Times of S. Carter is the fourth by American rapper. It was released on December 28, 1999, by and. According to critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album,. Featured production from, and, among others.
The album was well received by critics and debuted at number one on the, selling 462,000 copies in its first week. It has since sold over three million copies and been certified by the. Contents. Release and reception Professional ratings Review scores Source Rating A− 7/10 4/5 A Vol. Was released on December 28, 1999, and sold 462,000 copies in its first week, while debuting at number one on the.
The sales week was thirty-percent more than the first-week sales of Jay-Z's previous album, (1998). On February 14, 2001, it was certified by the (RIAA). In 2009, the album reached sales of 3,093,000 copies, according to. In a contemporary review, critic Kris Ex wrote that Jay-Z 'has become a better architect of songs' while hailing Vol.
As 'his strongest album to date, with music that's filled with catchy hooks, rump-shaking beats and lyrics fueled by Jay's hustler's vigilance'. Richard Harrington from found the record to be 'full of reputation-building swagger, cataloguing of lyrical skills and autobiographical perspective'.
Reviewing the album in, said it reconnects with Jay-Z's urban demographic, 'with flair', while Steve Jones of was particularly impressed by his lyrics and, finding both to be 'razor-sharp as ever'. In, argued that Jay-Z has too much at stake commercially to depart from 'playing the now-a-rapper-now-a-thug 'reality' game with his customers, thugs and fantasists both', but he impresses with 'a rugged, expansive vigor, nailing both come-fly-with-me cosmopolitanism and the hunger for excitement that's turned gangster hangouts into musical hotbeds from Buenos Aires to Kansas City'. Fellow Voice critic called Jay-Z 'the best MC in hip hop' and Vol. 3 'the quintessential 2000-model hip hop album'.
Was less impressed in the, writing that the record lacks the 'biting humor and spectacular wordplay' of his previous albums. In (2004), Jon Caramanica later wrote, ' Life & Times of S. Carter took Vol. 2 's combination of style and substance to its apotheosis. In addition to maintaining a strong lyrical presence, Jay also showcased his talents as a master of flow, changing cadences and rhyme patterns with impressive regularity and flexibility.
Nearly every track on this album was sonically unique, and Jay rode each one with aplomb and skill'. 's John Bush wrote in a retrospective review that a couple of overwrought productions ('Dope Man', 'Things That U Do') keep it from being among Jay-Z's best albums. Track listing No.
Title Writer(s) Producer(s) Length 1. 'Hova Song (Intro)'. Skam 14:21 Notes.
![Hard knock life def Hard knock life def](/uploads/1/2/3/7/123741637/783549615.png)
indicates a co-producer. indicates an additional producer Personnel Credits are adapted from. ^ Jones, Steve. January 4, 2000.
(Transcription of original review at ). ^ Bush, John. Retrieved on September 14, 2009. January 9, 2000. (Transcription of original review at ). (2011).
![Hard knock life album Hard knock life album](/uploads/1/2/3/7/123741637/187986457.png)
^ DeCurtis, Anthony. Retrieved on September 14, 2009. ^ Baker, Soren. Retrieved on September 14, 2009. Fadele, Dele. '.: February 16, 2000.
(Transcription of original review at ). ^ Ex, Kris (February 3, 2000). Retrieved on June 29, 2011. ^ (February 29, 2000). Retrieved on June 29, 2011. Mancini, Robert. Retrieved on February 22, 2010.
Baker, Soren. Los Angeles Times. Retrieved on February 22, 2010. 2007-06-26 at the. Retrieved on September 14, 2009. Trust, Gary (August 7, 2009). Retrieved September 11, 2016.
Harrington, Richard. January 2, 2000. Lewis, Miles Marshall. The Village Voice. Retrieved on September 14, 2009. Caramanica, Jon (2004). In Brackett, Nathan; Hoard, Christian.
Retrieved on September 14, 2009. Check url= value. Life and Times of S.
Carter in the search field and then press Enter. If necessary, click Advanced, then click Format, then select Album, then click SEARCH External links. at (list of releases) Preceded by by January 15–21, 2000 Succeeded.
. ' Released: December 14, 1999. ' ' Released: February 15, 2000.
' Released: February 15, 2000. ' Released: April 11, 2000. ' Released: September 12, 2000 Vol. 3 Life and Times of S.
Carter is the fourth by American rapper. It was released on December 28, 1999, by and. According to critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album,.
Featured production from, and, among others. The album was well received by critics and debuted at number one on the, selling 462,000 copies in its first week.
It has since sold over three million copies and been certified by the. Contents. Release and reception Professional ratings Review scores Source Rating A− 7/10 4/5 A Vol. Was released on December 28, 1999, and sold 462,000 copies in its first week, while debuting at number one on the. The sales week was thirty-percent more than the first-week sales of Jay-Z's previous album, (1998). On February 14, 2001, it was certified by the (RIAA).
Oxford handbook of psychiatry. From your campus in Oxford you could be whisked away to glitzy attractions such as the Tower of London, Windsor Castle, and the Warner Bros.
In 2009, the album reached sales of 3,093,000 copies, according to. In a contemporary review, critic Kris Ex wrote that Jay-Z 'has become a better architect of songs' while hailing Vol. As 'his strongest album to date, with music that's filled with catchy hooks, rump-shaking beats and lyrics fueled by Jay's hustler's vigilance'. Richard Harrington from found the record to be 'full of reputation-building swagger, cataloguing of lyrical skills and autobiographical perspective'. Reviewing the album in, said it reconnects with Jay-Z's urban demographic, 'with flair', while Steve Jones of was particularly impressed by his lyrics and, finding both to be 'razor-sharp as ever'. In, argued that Jay-Z has too much at stake commercially to depart from 'playing the now-a-rapper-now-a-thug 'reality' game with his customers, thugs and fantasists both', but he impresses with 'a rugged, expansive vigor, nailing both come-fly-with-me cosmopolitanism and the hunger for excitement that's turned gangster hangouts into musical hotbeds from Buenos Aires to Kansas City'.
Fellow Voice critic called Jay-Z 'the best MC in hip hop' and Vol. 3 'the quintessential 2000-model hip hop album'. Was less impressed in the, writing that the record lacks the 'biting humor and spectacular wordplay' of his previous albums. In (2004), Jon Caramanica later wrote, ' Life & Times of S. Carter took Vol. 2 's combination of style and substance to its apotheosis. In addition to maintaining a strong lyrical presence, Jay also showcased his talents as a master of flow, changing cadences and rhyme patterns with impressive regularity and flexibility.
Nearly every track on this album was sonically unique, and Jay rode each one with aplomb and skill'. 's John Bush wrote in a retrospective review that a couple of overwrought productions ('Dope Man', 'Things That U Do') keep it from being among Jay-Z's best albums. Track listing No.
Title Writer(s) Producer(s) Length 1. 'Hova Song (Intro)'. Skam 14:21 Notes. indicates a co-producer. indicates an additional producer Personnel Credits are adapted from. ^ Jones, Steve. January 4, 2000.
(Transcription of original review at ). ^ Bush, John.
Retrieved on September 14, 2009. January 9, 2000. (Transcription of original review at ). (2011). ^ DeCurtis, Anthony. Retrieved on September 14, 2009. ^ Baker, Soren.
Retrieved on September 14, 2009. Fadele, Dele. '.: February 16, 2000.
(Transcription of original review at ). ^ Ex, Kris (February 3, 2000). Retrieved on June 29, 2011.
Hard Knock Life Meaning
^ (February 29, 2000). Retrieved on June 29, 2011. Mancini, Robert. Retrieved on February 22, 2010.
Baker, Soren. Los Angeles Times. Retrieved on February 22, 2010. 2007-06-26 at the. Retrieved on September 14, 2009. Trust, Gary (August 7, 2009). Retrieved September 11, 2016.
Harrington, Richard. January 2, 2000. Lewis, Miles Marshall. The Village Voice. Retrieved on September 14, 2009. Caramanica, Jon (2004).
In Brackett, Nathan; Hoard, Christian. Retrieved on September 14, 2009. Check url= value. Life and Times of S. Carter in the search field and then press Enter.
Jay-z Hard Knock Life Zip
If necessary, click Advanced, then click Format, then select Album, then click SEARCH External links. at (list of releases) Preceded by by January 15–21, 2000 Succeeded.
After the crossover success of 1998's (complete with highly publicized samples from Annie), returned to the streets on his fourth proper album overall, 1999's. A set of hard-hitting tracks with some of the best rhymes of 's career, the album is much more invigorating than its predecessor, and almost as consistently entertaining as his best album,. As good as his rapping has become, the production here plays a large part as well. Befitting his superstar status, boasts the cream of hip-hop producers: (four tracks total), and. 's 'So Ghetto,' 's 'Snoopy Track' (with ), and 's 'Pop 4 Roc' are innovative tracks that push the rhymes along but never intrude too much on 's own flow.
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If this album doesn't quite make it up to 's best, though, it's the fault of a few overblown productions, like 'Dope Man' and 'Things That U Do' (with ).